DEEEVEEE (LT)

Hydronoise: BODIES OF WATER / FIelds of noise

workshop +
collective performance

About the workshop 

HydroNoise explores the relationship between water, resonance, noise, and collective listening. Through DIY instruments, voice, field recordings, feedback systems, and sounding objects, participants create a fluid sonic environment shaped through improvisation and interaction.

The workshop culminates in an open collective performance where sound moves like a current — shared, unstable, tactile, and immersive.

Water is not an object. Water is a state. Noise is not chaos. Noise is a field.

Both water and noise:
are continuous rather than discrete
contain infinite internal variation
can be gentle or catastrophic
dissolve hierarchy
carry memory
connect bodies invisibly

how sound behaves like water

Water as collective body
Noise as collective field

Noise is not a disorder. Noise is a dense field of frequencies, like the ocean is a dense field of microcurrents.

In noise patterns emerge from saturation;
listening becomes spatial and embodied;
hierarchy collapses;
Water behaves the same way:
no single drop controls the current;
flow emerges from collective movement.

About the Hosts

DEEEVEEE (LT)

DeeeVeee is a Berlin/Vilnius-based psychedelic-noise duo working with DIY electronics, experimental voice techniques, feedback systems, and immersive sound environments. Their collaborative practice moves between performance, sound art, improvisation, and participatory sonic experiments.

DEEEVEEE (LT)

Diana (Deee-)

Diana Fonseca is a sound designer and noise artist based in Berlin. Her work navigates between the human auditory and the microscopic, exploring how hidden sonic landscapes can be revealed and amplified.

Her practice includes small craftsman shifts creating self-made electronic devices, playing with horn instruments, and broken machines. She utilizes these tools to construct immersive environments that challenge traditional listening, often transforming found objects and everyday sounds into textured compositions. Her practice is deeply rooted in the exploration of the non immediate realm, seeking out the subtle vibrations and micro details that exist just beyond our immediate perception.

Diana has an MA in Sound Studies and Sonic Arts from Berlin’s University of Arts (UdK) and a BA in Social Anthropology (ENAH).

Vilte (-veee)

Viltė Gustytė is a Lithuanian multimedia artist and performer based in Berlin, whose work spans various disciplines, including installations, sound art, performance, and audiovisual arts. Her artistic research explores listening perspectives, field recording and counter-cartographies, often materializing through site-specific and collaborative projects.

She has presented sound installations at venues such as Collegium Hungaricum Berlin (2024) and Hosek Contemporary (2023), and co-created interactive works with Elena Kanarskaitė, including Rypavimai (2025) at Pamenkalnio Gallery, Desiring Machine (2023) at LDS Gallery, and Stay in the Mirror (2021) at Titanikas Gallery in Vilnius. 

Viltė’s long-standing interest in public and environmental sound is reflected in projects like PlaySoundGround, a soundwalk developed with Simina Oprescu for the Klanglandschaften festival (2022), and the long-string installation Harmonic Arborealism together with Diane Barbé at Floating University Berlin (2021). She performs regularly in various musical projects (Eiswerden, DeeeVeee, Nojo Airlines) and co-leads the ongoing workshop-performance series A Fly Falls Into the Speaker (2024).

Vilte holds a Master’s degree in Sound Studies and Sonic Arts from the Berlin University of the Arts and a BA in Audiovisual Media from Tallinn University.

FORMAT

2h Workshop + 1h Open Rehearsal / Collective Jam,
followed by a live performance by DeeeVeee and participants

  • Participants of the workshop create around this topic: noise-water. They build their own sounding objects or explore sound through their voices and words.
  • The workshop culminates in a collective performance/open rehearsal. No conductor. No score.
  • Participants of the workshop also can participate during DeeeVeee’s performance, but it is not an obligation.

WORKShop STRUCTURE

Participants work in two fluid groups:

  • voice, text, listening, and sonic myth-making
  • DIY instruments, resonant objects, and sound experimentation

The workshop concludes in a collective performance environment combining improvisation, spatial sound, and participatory listening.

No previous experience required.

Otto Wagner Areal – Pavillon 19

20.06.2026